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Firewerks

by Sean Nowell

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  • Streaming + Download

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  • Compact Disc (CD) + Digital Album

    Comes in jewel case packaging designed by Escott Associates with photography by Salvatore Corso and Alison Keene

    Includes unlimited streaming of Firewerks via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 4 Sean Nowell releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Kung-Fu Masters, Stockholm Swingin', The Seeker, and Firewerks. , and , .

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1.
Pale 09:27
2.
Resolution Of Self 06:41
3.
Shahazaraz 06:41
4.
Folding Space 07:44
5.
Isobel 07:25
6.
Maklahj 06:36
7.
Inner Universe 05:00
8.
Lament For Arnold 06:10

about

On "Firewerks," Sean Nowell and his quintet have succeeded at melding, morphing and mixing the best of Blue Note-era small-group nirvana with the Headhunters' pocket and vibe, evolving it to right now. This is not merely attributable to great writing and playing, but innovative arranging between the dual horn attack of tenorist Nowell and altoist Travis Sullivan, as padded and parried by Art Hirahara's ultra-hip Rhodes. A hard -driving horn man from Alabama, Nowell's now a New Yorker and member of Sullivan's Bjorkestra, of which this entire unit is a scintillating subset.

A modern sinewy dual horn line kick-starts “Pale,” abetted by Joe Abbatantuono's modern rock beats and bassist Danny Zanker's slinky and bomb-like acoustic accents. This is supplanted by what I'll call Nowell and Sullivan's “home sound,” one that could be conjured by a front-line of saxophonists Stanley Turrentine and Sonny Criss until it starts to dance around each other in a motivic counter-melody so tightly written and arranged it sounds improvised.

Nowell's first solo shows his big-tenor influences and up-to-the minute chops, punctuated by tasteful over- blowing running perfectly counter to the gutbucket jam, then growing Brecker-esquely dense. Sullivan doesn't wait for the bar line on a perfectly executed handoff, while showing he's an equally gifted soloist, adding Criss-like breathiness, classic alto rasp and finally, modern angularity to the mix. Hirahara seamlessly runs first into atmospheric territory, abetted by Abbatantuono's stops and starts. The drummer's dexterity on the bell of the ride and snare propels the Rhodes man to elasticize the funk into uncharted territory before bringing it home linearly and exiting on a new motif.

San Francisco transplant Hirahara is the session's most “out-of-nowhere” revelation, so potent a soloist and colorist it seems at times as though it's his date, as on the sultry “Resolution of Self,” similarly centered on unison, then separately supportive dual horn lines. Changing chords on each note of the latter portion of the horn line, the Rhodes urgently recontextualizes each second of their freefall. Horns drop out to leave a Rhodes trio. Hirahara counterbalances a restatement of the head, right against left, languidly linearizing into a solo growing more rhythmically precise, finally allowing slower lines to overrun each other with vintage sustain. The set's catchiest number, using four bars of five and containing two notes each, it seems a rip-off of a classic horn line, but isn't. The pre-ending motif is particularly effective as the two notes restate, but climb in a simple scalar fashion seducing you into a smoky sixties vibe.

Another highlight is “Inner Universe,” Nowell's drum 'n' bass-driven rearrangement of a song by Anime composer Yoko Kanno for the Japanese TV show "Ghost In The Shell" that serves as a shreddingly satisfying modern tribute. Tempting as it is to say Nowell's concept, and the fresh-faced cast assembled here to translate it, portends great things, it's untrue—they’ve already delivered.

- Phil DiPietro, March 2007

credits

released November 6, 2007

Sean Nowell - tenor saxophone
Travis Sullivan - alto saxophone
Art Hirahara - Fender Rhodes
Danny Zanker - acoustic bass
Joe Abbatantuono - drums

J. Chris Griffin - producer and engineer
Marc Free - executive producer
Nick O’Toole - executive producer
recorded January 2006 at The Cutting Room, New York, NY
mastered at Synthetic Mess, New York, NY
photography by Salvatore Corso and Alison Keene
package design by Escott Associates
cover concept by Tara McNulty

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about

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Sean Nowell New York, New York

Sean Nowell is a tenor saxophonist and composer from Birmingham, Alabama steeped in the southern traditions of blues, gospel, jazz, and funk fused with the complex harmonic and world rhythmic concepts that permeate the music of New York City.

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